Despite all of the interesting stuff on the ‘net, I still enjoy reading a magazine – especially one that’s been really well printed onto high-quality paper …and when I say ‘reading’, I suppose I mean looking at and appreciating the photographs. Most people – around 80% of the population – respond much more to an image than to text …so we’re not alone !
When a magazine image is so well-printed that you can almost appreciate the quality of the equipment used to make the image, as well as the photographer’s clear ability, some individuals can be convinced that it’s the gear that made the difference, and invest in new kit accordingly. Known well to the musical fraternity – and also being a musician myself – there’s a syndrome that has many ‘sufferers’ …G.A.S. That’s Gear Acquisition Syndrome.
It’s as applicable to cameras & associated gear as much as it is new musical instruments, amps etc, and it’s all too easy to be drawn in. And it’s not as if I’m immune, it has to be said.
But that’s sometimes what can make things really interesting. If you read the previous post, re Hasselblad H3D/Leaf, Sinar & PhaseOne backs etc, and their place in the commercial photography world, you’ll know that I see it as a challenge. Yes, I have a D3 – one of the finest cameras on the planet – that’s usually to be seen connected to a Nikon ED24-70 f2.8 lens – one of the finest lenses on the planet ….but as a combo, not always the most convenient to cart around. And they’re in for lens repair and calibration at the moment.
My F200EXR is these days pretty well always with me. There’s no RAW file capability, no off-camera flash facility (although it could be ‘slaved’) …it’s little more than ‘point & shoot’. But the quality levels being achieved these days in compact cameras mean that its uses go way beyond taking ‘snaps’.
Careful setup & usage – and image processing – can result in some great image quality that would have been strictly SLR material in the not-too-distant past. But that’s all changed. I’ll be going into some detail in future posts about achieving ultimate quality from a compact – some readers (of the 82,000 so far) have asked for an e-book, which I may well consider if there’s enough demand. Let me know if that might be useful to you.
The image above is another of my ‘personal challenges’ – visualising what I’d aim for if I had the D3/24-70/tripod with me, and all the time in the World for careful set-up, composition, processing etc ….all the things that happen at the start of the process in the commercial photography domain – and how I could achieve not dissimilar results from one of the very best compacts around – could be with the LX3, or in this case, the Fujifilm F200EXR ‘pocket rocket’.
Much more on Fujifilm’s F200EXR (and F100fd/F30), Panasonic LX3, Ricoh CX1, Nikon D3 & D200 at http://nickbland.zenfolio.com.