Thanks to its Leica-logo’d f2-2.8 lens, the LX3 has proven itself to be a stunning low-light camera. There’s a feeling amongst many that shooting in low-light is a relatively rare requirement, and that most photography – literal translation from latin being ‘drawing with light’ – takes place when there’s some light to draw with !
Well, for those of us in the UK who are finding that, this week at least, there’s some real summer weather, we all know that this can’t generally be relied upon, in this green & pleasant land; conditions are more normally much cooler, wetter, and often overcast. Thus, there’s a real need here for ‘low-light ability’ in a camera, and the light-gathering capability of an f2 (at 24mm equiv.) to f2.8 (at 60mm equiv.) lens really makes a difference.
The fact that it’s a really sharp one, with little noticeable distortion following processing, really helps to produce what I feel is a way better quality of low-light image than the output of the previous champ – the infamous Fuji F30. As I still have my F30 (and amazingly still in pretty well ‘as new’ condition), it’s been easy to make a direct comparison. LX3 has far more detail, less smearing, and its fast lens allows a lower ISO to be used, further reducing the possibility of noise that needs noise reduction, and the artifacts associated. If you want to replace an F30/31, the LX3 is also a far better performer in bright light conditions.
This dusk shot, from my collection of Canary Wharf/Docklands images, is a good example of what’s possible, handheld, under such conditions. That the full gamut of colour remains intact is also testament to the quality of LX3, that just wasn’t possible on a small camera even 18 months ago – we have much to be thankful for !
More LX3 low-light (and ‘normal-light’ !) shots in new & updated galleries … just go to http://nickbland.zenfolio.com and choose from the many subjects, each in their own folder for ease of use.