A comp of three images here from the Docklands/Canary Wharf collection. It’s an area of London that, like so many others in the City, is so full of photographic promise. There are two great likelihoods in photographing parts of London in 2009 : 1/ You’ll get some fantastic images 2/ Completely unexpectedly – or maybe [...]
Posts Tagged ‘London’
LX3 LONDON DOCKLANDS
Posted: July 13, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, AUTO WHITE BALANCE, AWB, CANADA SQUARE, Canary Wharf, Digital SLR, DOCKLANDS, DP1, DP2, DSLR, DxO LABS, E-P1, ETHICS OF PHOTOGRAPHY, EXPERIENCE, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, India Dock, KODACHROME, KODAK, LANDSCAPE, LEGALITY, LEICA DLUX4, London, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RAW, RECORDING UK LIFE, SILKYPIX, SILVER EFEX PRO, STOCK IMAGES, STROBIST, SUMMICRON
LX3 USA/CAMBRIDGE
Posted: July 11, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, AMERICAN CEMETERY, AUTO WHITE BALANCE, AWB, CAMBRIDGE, CAPTURE NX, CORRECTION, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, EXPERIENCE, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, LENS DISTORTION, London, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MEMORIAL, MODERN CLASSIC, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RAW, SILKYPIX, SILVER EFEX PRO, STOCK IMAGES, STROBIST, SUMMICRON, THE GREAT MALL, USA, WORLD WAR II
Another one from my collection of Cambridge images. The American Cemetery in Cambridge, with it’s memorial pillar stating ‘Erected By The United States Of America 1954′, is on 30 acres of land donated by the University of Cambridge, situated three miles outside the city. A high proportion of these 3,812 American servicemen & women were crew members of British-based American [...]
LX3 LONDON : DOCKLANDS AT DUSK
Posted: June 30, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, AUTO WHITE BALANCE, AWB, Canary Wharf, Digital SLR, DOCKLANDS, DP1, DP2, DSLR, DUSK, DxO LABS, E-P1, FAST LENS, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, India Dock, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, London, LOW-LIGHT PHOTOGRAPHY, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, NIGHT PHOTOGRAPHY, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RAW, SILKYPIX, SILVER EFEX PRO, STOCK IMAGES, STROBIST, SUMMICRON
Thanks to its Leica-logo’d f2-2.8 lens, the LX3 has proven itself to be a stunning low-light camera. There’s a feeling amongst many that shooting in low-light is a relatively rare requirement, and that most photography – literal translation from latin being ‘drawing with light’ – takes place when there’s some light to draw with ! [...]
LX3 MICHAEL JACKSON
Posted: June 29, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, AUTO WHITE BALANCE, AWB, COVENTRY STREET, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, EDDIE VAN HALEN, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, GUITAR, ILFORD, IMAGING, JOHNNY DEPP, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, LEICESTER SQUARE, London, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MEMORIAL, MICHAEL JACKSON, MODERN CLASSIC, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, RAW, SILKYPIX, SILVER EFEX PRO, SLASH, STEVE LUKATHER, STEVE STEVENS, STOCK IMAGES, STROBIST, SUMMICRON, TRIBUTE
For today, rather than a comp, a rant about DSLR mags, or some particular LX3 feature, advantage, benefit – just an image. Walking along Coventry Street in London this morning, close to Leicester Square, there were two particular groups of people. One was an ever-growing queue awaiting the appearance of Johnny Depp for the film [...]
LX3 GOES LARGE
Posted: June 26, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, ARCHIVAL, AUTO WHITE BALANCE, AWB, Canary Wharf, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, EXPERIENCE, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, India Dock, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, London, LUMIX, LX3, LX3 IMAGES, MODERN CLASSIC, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, PRINTS, RAW, SILKYPIX, SILVER EFEX PRO, STOCK IMAGES, STROBIST, SUMMICRON
For all LX3 users out there – have you ever actually had large prints from your files ? I just received today 3 prints that I’d ordered via upload the other evening. They’re 24″ x16″ (that’s the paper size …my images are in 16:9, so they’re printed full width, shorter in height) … and all look fantastic. [...]
LX3 / NIK COLOR EFEX PRO
Posted: June 21, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, AUTO WHITE BALANCE, AWB, CHROMATIC ABERRATION, COLOR EFEX PRO, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, EXPERIENCE, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, LEICA LENS, London, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RICOH, SILVER FX PRO, STOCK IMAGES, STROBIST, STYLING, SUMMICRON, TRADITIONAL, TRAINING, ZENFOLIO
Came across this scene while out walking earlier this weekend, and found that LX3 RAW file flexibility was ideal in pulling out the entire colour range and detail in this image. Intentionally, I’ve used Nik Color Efex filters to modify the image to what, for some reason, reminds me a little of a Japanese garden. With [...]
LX3 DxO LABS FILMPACK SOFTWARE
Posted: June 19, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, ASTIA, AUTO WHITE BALANCE, AWB, Canary Wharf, CITYSCAPE, DELTA, Digital SLR, DP1, DP2, DSLR, DXO, DxO LABS, E-P1, ELITE COLOR, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, India Dock, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, London, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, MULTI-PATTERN AWB, NEOPAN, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, POLAROID, PORTRA, PROVIA, ROLLEI, SELENIUM, SILVER EFEX PRO, STOCK IMAGES, STROBIST, SUMMICRON, TRI-X, VELVIA, VISTA
From the weekend while I was at Excel, I processed this image of Poplar DLR station from the RAW file, then in DxO Labs FilmPack v2, and liked the Selenium toning option, in keeping with the style of the image. I chose not to add grain, so as to maintain smooth sky and detail on the [...]
LX3 REMINDER
Posted: June 15, 2009 in UncategorizedTags: 16:9, ALAMY, AUTO WHITE BALANCE, AWB, Canary Wharf, Digital SLR, DSLR, FIRMWARE UPDATE, GETTY, IMAGING, India Dock, LEICA DLUX4, London, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, OFF-CAMERA FLASH, PANASONIC, PHOTOGRAPHY, STOCK IMAGES, STROBIST, SUMMICRON
Another from the series, as promised, and got an e-mail as soon as I’d posted this to my zenfolio site http://nickbland.zenfolio.com … reminded one viewer of his old 4″x5″ days. I’d be blown away if LX3 could get close to 4×5 format film (it’s great, but not quite that great), although it does act as [...]
CANARY WHARF, LONDON E14
Posted: June 14, 2009 in UncategorizedTags: 16:9, ALAMY, Architecture, AUTO WHITE BALANCE, AWB, Canary Wharf, Digital SLR, DSLR, FIRMWARE UPDATE, GETTY, IMAGING, India Dock, LEICA DLUX4, London, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, OFF-CAMERA FLASH, PANASONIC, PHOTOGRAPHY, STOCK IMAGES, STROBIST, SUMMICRON
Having spent the last few days at the ExCel exhibition centre for the London International Music Show, I made time during the trip to visit Canary Wharf, for a look around some of the stunning architecture that the area is known for. Also, it was a great opportunity to make the best of the LX3′s 16:9 [...]
LX3 – A MODERN CLASSIC
Posted: June 7, 2009 in UncategorizedTags: 16:9, ALAMY, AUTO WHITE BALANCE, AWB, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, EXPERIENCE, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, London, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RAW, SILKYPIX, SILVER EFEX PRO, STOCK IMAGES, STROBIST, SUMMICRON
7th June 2009 : Been meaning to do this for some time – really since the start of the year, when I first acquired my Panasonic Lumix LX3. Even then, supply from Panasonic wasn’t great, and several thousand images later, this has become my most-used camera ….. ever. Given its wide-ranging abilities, I believe the [...]