Thanks to its Leica-logo’d f2-2.8 lens, the LX3 has proven itself to be a stunning low-light camera. There’s a feeling amongst many that shooting in low-light is a relatively rare requirement, and that most photography – literal translation from latin being ‘drawing with light’ – takes place when there’s some light to draw with ! [...]
Archive for June, 2009
LX3 LONDON : DOCKLANDS AT DUSK
Posted: June 30, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, AUTO WHITE BALANCE, AWB, Canary Wharf, Digital SLR, DOCKLANDS, DP1, DP2, DSLR, DUSK, DxO LABS, E-P1, FAST LENS, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, India Dock, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, London, LOW-LIGHT PHOTOGRAPHY, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, NIGHT PHOTOGRAPHY, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RAW, SILKYPIX, SILVER EFEX PRO, STOCK IMAGES, STROBIST, SUMMICRON
LX3 MICHAEL JACKSON
Posted: June 29, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, AUTO WHITE BALANCE, AWB, COVENTRY STREET, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, EDDIE VAN HALEN, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, GUITAR, ILFORD, IMAGING, JOHNNY DEPP, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, LEICESTER SQUARE, London, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MEMORIAL, MICHAEL JACKSON, MODERN CLASSIC, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, RAW, SILKYPIX, SILVER EFEX PRO, SLASH, STEVE LUKATHER, STEVE STEVENS, STOCK IMAGES, STROBIST, SUMMICRON, TRIBUTE
For today, rather than a comp, a rant about DSLR mags, or some particular LX3 feature, advantage, benefit – just an image. Walking along Coventry Street in London this morning, close to Leicester Square, there were two particular groups of people. One was an ever-growing queue awaiting the appearance of Johnny Depp for the film [...]
LX3 – KODACHROME ?
Posted: June 27, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, ALIEN SKIN, AUTO WHITE BALANCE, AWB, COLOUR SHIFT, Digital SLR, DP1, DP2, DSLR, DUGGAL, DxO FILMPACK, DxO LABS, E-P1, EASTMAN, EXPERIENCE, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, HOYA, ILFORD, IMAGENOMIC, IMAGING, KODACHROME, KODAK, LANDSCAPE, LEE, LEICA DLUX4, LUMIX, LX3, MODERN CLASSIC, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RAW, SILKYPIX, SILVER EFEX PRO, SINGH-RAY, STOCK IMAGES, STROBIST, SUMMICRON, TIFFEN
Having been in production since 1939, with the demise of Kodachrome a few days ago, and as digital photographers that really care about how our shots look (one of the reasons we use LX3), there are thankfully some superb replications available via software – and this no doubt helped fuel declining sales of the film itself. [...]
LX3 GOES LARGE
Posted: June 26, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, ARCHIVAL, AUTO WHITE BALANCE, AWB, Canary Wharf, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, EXPERIENCE, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, India Dock, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, London, LUMIX, LX3, LX3 IMAGES, MODERN CLASSIC, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, PRINTS, RAW, SILKYPIX, SILVER EFEX PRO, STOCK IMAGES, STROBIST, SUMMICRON
For all LX3 users out there – have you ever actually had large prints from your files ? I just received today 3 prints that I’d ordered via upload the other evening. They’re 24″ x16″ (that’s the paper size …my images are in 16:9, so they’re printed full width, shorter in height) … and all look fantastic. [...]
LX3/E-P1/DSLR ?
Posted: June 25, 2009 in UncategorizedTags: 16:9, ALAMY, APERTURE, AUTO WHITE BALANCE, AWB, CX1, D3, Digital SLR, DLUX4, DP1, DP2, DSLR, DxO LABS, E-P1, E-P2, EXPERIENCE, FILMPACK, FIRMWARE UPDATE, FUJI, G1, G10, GETTY, GH1, GRDII, ILFORD, IMAGING, KODACHROME, KODAK, LANDSCAPE, LEICA, LEICA DLUX4, LUMIX, LX3, LX3 IMAGES, m4/3, MANUAL, MICRO FOUR-THIRDS, MODERN CLASSIC, NIKON, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RAW, SILKYPIX, SILVER EFEX PRO, STOCK IMAGES, STROBIST, SUMMICRON, ZENFOLIO
In a way, I’m revisiting here a couple of recent posts with new comment below added in the light of news over the last week or so … three hot topics as the title of this entry. DSLR publications – can these be at all relevant to LX3 users ? On a positive note, in [...]
LX3 / DxO ILFORD XP2
Posted: June 23, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, AUTO WHITE BALANCE, AWB, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, EXPERIENCE, FILM GRAIN, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, KODACHROME, KODAK, LEICA DLUX4, LUMIX, LX3 IMAGES, MODERN CLASSIC, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RAW, RICOH, SILKYPIX, SILVER EFEX PRO, STOCK IMAGES, STROBIST, SUMMICRON, XP2
And for those that see the world in black & white (and, photographically speaking, I increasingly do), here’s a mono conversion done in DxO Labs FilmPack, on the Ilford XP2 setting, with the relevant film grain added for authenticity. More info on the excellent DxO Filmpack software at http://www.dxolabs.com, and for more LX3 mono images, [...]
LX3 GETS CLOSE
Posted: June 23, 2009 in UncategorizedTags: 16:9, ALAMY, AUTO WHITE BALANCE, AWB, CLOSE-UP, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MACRO, MICRO, MODERN CLASSIC, MULTI-PATTERN AWB, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RAW, STOCK IMAGES, STROBIST, SUMMICRON, UPGRADE
We know how versatile the LX3 is, and in capturing the detail on this old pot, I was really pleased to not only get the level of fine detail I’d hoped for, but also a very accurate white balance. I’m not obsessive about this, but there was definitely room for a lot of improvement on [...]
LX3 RAW SUNSET
Posted: June 22, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, AUTO WHITE BALANCE, AWB, CX1, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, LUMIX, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RAW, RICOH, STOCK IMAGES, STROBIST, SUMMICRON, SUNSET
From last night, this image is another one that has pleasantly surprised with the level of detail that could be pulled from the LX3′s RAW file. Exposing for the sunset, the foreground was entirely dark – in fact, almost black & blocked out. Because there was so little light, there’s a little noise, and I purposely haven’t run this [...]
WAITING FOR THE LIGHT
Posted: June 22, 2009 in UncategorizedTags: 16:9, ALAMY, AUTO WHITE BALANCE, AWB, CHICHELEY, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, PANASONIC, PHOTOGRAPHY, STOCK IMAGES, SUMMICRON
Literally did wait for the light on this one … had been a little dull, sun behind the clouds. You know how it is, when you can visualise a great landscape, but the light just isn’t there. Look up at the sky (find myself doing that a lot), sun behind the clouds. Lower camera to [...]
LX3 / NIK COLOR EFEX PRO
Posted: June 21, 2009 in UncategorizedTags: 16:9, ACROS, AGFA, ALAMY, AUTO WHITE BALANCE, AWB, CHROMATIC ABERRATION, COLOR EFEX PRO, Digital SLR, DP1, DP2, DSLR, DxO LABS, E-P1, EXPERIENCE, FILMPACK, FIRMWARE UPDATE, FUJI, G10, GETTY, GRDII, ILFORD, IMAGING, KODACHROME, KODAK, LANDSCAPE, LEICA DLUX4, LEICA LENS, London, LUMIX, LX3, LX3 IMAGES, LX3 IMAGING, MODERN CLASSIC, NIK, OFF-CAMERA FLASH, Olympus, PANASONIC, PHOTOGRAPHY, RICOH, SILVER FX PRO, STOCK IMAGES, STROBIST, STYLING, SUMMICRON, TRADITIONAL, TRAINING, ZENFOLIO
Came across this scene while out walking earlier this weekend, and found that LX3 RAW file flexibility was ideal in pulling out the entire colour range and detail in this image. Intentionally, I’ve used Nik Color Efex filters to modify the image to what, for some reason, reminds me a little of a Japanese garden. With [...]